culture

Carolyn Barnes Song of the Earth, the first comprehensive survey of John Nixon’s art practice from the 1960s until his death in 2020, is a testament to his tireless creativity.

Andy Hazel The latest iteration of the Marrakech International Film Festival – the Arab world’s most important – highlights the triumphs and trials of the human spirit.

Harriet Cunningham Pinchgut Opera’s new realisation of Handel’s Messiah strips it back to its first scoring in 1742 – and it is an undiluted joy.

Neha Kale The Hidden Line, an exhibition of works by women of the Boyd family, poses a necessary challenge to Australian art history’s masculine legacy.

Patrick Lau Belvoir’s minimalist King Lear features Colin Friels as a curiously energetic lead in a production propped up by captivating performances.

John Kinsella Pink Floyd’s iconic album Wish You Were Here – which celebrates its 50th anniversary this year – remains a classic expression of modern alienation.

Cassie Tongue Sarah Goodes’ production of Who’s Afraid of Virginia Woolf? adds a vicious new spin to Edward Albee’s portrait of a nightmare marriage.

Sarah Krasnostein Sterlin Harjo’s superb neo-noir series, The Lowdown, is simultaneously intriguing, tender and hilarious.

Naomi Stead Brunswick’s open access community centre, Balam Balam Place, is a small marvel of public generosity.